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Reel Talks with J. Hoberman

June 9, 2025, 12:30pm–1:30pm

Talks on movies, the culture of cinema, and filmmaking.

J. Hoberman, Duck Soup

The Marx Brothers are universally considered to be classic Hollywood's preeminent comedy team and Duck Soup is generally regarded as their quintessential film. A topical satire of dictatorship and government in general, the movie was a critical failure and box-office let-down on its initial release in 1933.

J. Hoberman's study of the film traces its reputation history, from the initial disappointment of its release, to its rise to cult status in the 1960s when the Marx's anarchic, anti-establishment humor seemed again timely. Hoberman places Duck Soup, alongside analogous comedies-Dr. Strangelove (1964), the Beatles films, Morgan! (1966), The President's Analyst (1967) and The Producers (1968). It attained canonical stature as a touchstone for Woody Allen and would be recognized by the Library of Congress in the 1990s.

Hoberman's analysis provides a historical and political context as well as an in-depth production history, drawing on primary sources and emphasizing director McCarey's prior work along with the Marx Brothers as well as the situation at Paramount, a substantial synopsis, and an account of the movie's initial reception, concluding with its subsequent elevation to comic masterpiece.

J. Hoberman is the senior film critic for the Village Voice, where he has worked for more than thirty years. He is the author of Bridge of Light, The Magic Hour, The Red Atlantis, Vulgar Modernism, and The Dream Life (The New Press) and the co-author, with Jonathan Rosenbaum, of Midnight Movies. He has written for Artforum, the London Review of Books, The Nation, the New York Review of Books, and The New York Times, among other publications, and has taught cinema history at Cooper Union since 1990. He lives in New York.

Host:

Scott Adlerberg is the author of the novels Spiders and Flies, Jungle Horses, Graveyard Love, Jack Waters, and The Screaming Child. He has written many short stories and contributes pieces regularly to sites such as CrimeReads, Mystery Tribune, and Criminal Element.  Every summer, he hosts the Reel Talks film commentary series in Bryant Park in Manhattan.  

June 9:

J. Hoberman, Duck Soup

June 16: 

Philip Gefter, Cocktails with George and Martha: Movies, Marriage, and the Making of Who's Afraid of Virginia Woolf?

June 23: 

Carrie Courogen, Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood's Hidden Genius

June 30:

Tobias Carroll, Framed and Bound podcast 

July 7: 

Shawn Levy, CLINT: The Man and the Movies

July 14: 

Chris Alexander, Art! Trash! Terror!: Adventures in Strange Cinema

July 21: 

Odie Henderson, Black Caesars and Foxy Cleopatras: A History of Blaxploitation Cinema

July 28: 

Alissa Wilkinson, We Tell Ourselves Stories: Joan Didion and the American Dream Machine

August 4: 

David M. Stewart, There's No Going Back: The Life and Work of Jonathan Demme 

August 11: 

Dave Karger, 50 Oscar Nights: Iconic Stars & Filmmakers on Their Career-Defining Wins

August 18: 

Samm Deighan, Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960-1990