In the depths of Marem Ladson’s music lies a profound exploration of her cross-cultural identity, intertwining her unique approach to lyrical and introspective songwriting with influences from folk, pop, and Spanish traditional music. Born in Spain and based in New York, “her sumptuous hooks and sweetly lilting vocals seem to form a language unto themselves” (Stephen Thompson, NPR Music).
Hailing from Galicia in northern Spain, Marem sought solace from an early age in the written word, penning short stories and poems that served as windows into her internal world. It was not long before she discovered the transformative power of music, teaching herself to play the guitar and transforming her literary creations into heartfelt songs. It was through music that she sought to understand herself, seeking connection and a true sense of belonging. In Galicia, she found a close-knit community of musicians at Café Torgal, a small indie music venue that birthed her artistic awakening. It was there that she immersed herself in the music of artists like Damien Jurado, Matthew E. White, and Lee Renaldo, while also stepping onto the stage for her first live performances. In 2018, she released her self-titled debut album, which led to extensive touring in Spain and Portugal, sharing stages with renowned acts like Cat Power and Laura Gibson.
Now based in New York City, Marem’s latest EP, “Baby Light,” is a significant meditation on unresolved trauma and its impact on her personal existence. Singing in both English and Spanish, it showcases a folk-pop fueled by the rawest of emotions and the duality of her bicultural heritage, thus crafting a sound that is all her own. These songs intricately weave pain, anger, loss, and hope, illuminating the brilliance that emerges amidst life’s kaleidoscope of emotions.